Danforth Gallery Artist Spotlight: Anne Mourier

It is ten years since Adolf Griinbaum published the first edition of this book. It was promptly recognized to be one of the few major works in the philosophy of the natural sciences of this generation. In part, this is so because Griinbaum has chosen a problem basic both to philosophy and to the natural sciences - the nature of space and time; and in part, this is so because he so admirably exemplifies that Aristotelian devotion to the intimate and mutual dependence of actual science and philosophical understanding. More than this, however, the quality of his work derives from his achievement in combining detail with scope. The problems of space and time have been among the most difficult in contemporary and classical thought, and Griinbaum has been responsible to the full depth and complexity of these difficulties. This revised and enlarged second edition is a work in progress, in the tradition of reflective analysis of modern science of such figures as Ehrenfest and Reichenbach. In publishing this work among the Boston Studies in the Philosophy of Science, we hope to contribute to and encourage that broad tradition of natural philosophy which is marked by the close collaboration of philoso­ phers and scientists. To this end, we have published the proceedings of our Colloquia, of meetings and conferences here and abroad, as well as the works of single authors.

Behold the Handwriting of God Astrophysicist and adventurer George Smoot spent twenty years pursuing the "holy grail of science" -- a relentless hunt that led him from the rain forests of Brazil to the frozen wastes of Antarctica. For decades he persevered -- struggling against time, the elements, the forces of ignorance and bureaucratic insanity. And finally, on April 23, 1992, he made a startling announcement that would usher in a new scientific age. For George Smoot and his dedicated team of Berkeley researchers had proven the unprovable -- uncovering, inarguably and for all time, the secrets of the creation of the Universe.

The thinkers of ancient Egypt, Greece and India recognized that numbers governed much of what they saw in their world and hence provided an approach to its divine creator. Robert Lawlor sets out the system that determines the dimension and the form of both man-made and natural structures, from Gothic cathedrals to flowers, from music to the human body. By also involving the reader in practical experiments, he leads with ease from simple principles to a grasp of the logarithmic spiral, the Golden Proportion, the squaring of the circle and other ubiquitous ratios and proportions. Art and Imagination These large-format, gloriously-illustrated paperbacks cover Eastern and Western religion and philosophy, including myth and magic, alchemy and astrology. The distinguished authors bring a wealth of knowledge, visionary thinking and accessible writing to each intriguing subject.

Her seventh and most wide ranging collection. In the 1st of 2 sections, the poems move from the amusingly elegiac to the erotic, the classical to the funny. The 2nd section is a series of 15 poems for a calendar based on lunar rather than solar divisions.

An extraordinary inquiry into the meaning of home, through explorations literary and political, philosophical and deeply personal, by the acclaimed author of Loneliness as a Way of Life. Home as an imagined refuge. Home as a place of mastery and domination. Home as a destination and the place we try to escape from. Thomas Dumm explores these distinctively American understandings of home. He takes us from Thomas Jefferson's Monticello and Henry David Thoreau's Walden to Laura Ingalls Wilder's little house on the prairie and Emily Dickinson's homestead, and finally to the house Herman Wallace imagined and that sustained him during his forty-one years of solitary confinement at Angola State Penitentiary. Dumm argues that it is impossible to separate the comforting and haunting aspects of home. Each chapter reveals a different dimension of the American experience of home: slavery at Monticello, radical individuality at Walden, Indian-hating in the pioneer experience, and the power of remembering and imagining home in extreme confinement as a means of escape. Hidden in these homes are ghosts-enslaved and imprisoned African Americans, displaced and massacred Native Americans, subordinated homemakers, all struggling to compose their lives in a place called home. Framed by a prologue on Dad and an epilogue on Mom, in which the author reflects on his own experiences growing up in western Pennsylvania with young parents in a family of nine children, Home in America is a masterful meditation on the richness and poverty of an idea that endures in the world we have made.

In this New York Times bestseller, internationally renowned Japanese scientist Masaru Emoto shows how the influence of our thoughts, words and feelings on molecules of water can positively impact the earth and our personal health. This book has the potential to profoundly transform your world view. Using high-speed photography, Dr. Masaru Emoto discovered that crystals formed in frozen water reveal changes when specific, concentrated thoughts are directed toward them. He found that water from clear springs and water that has been exposed to loving words shows brilliant, complex, and colorful snowflake patterns. In contrast, polluted water, or water exposed to negative thoughts, forms incomplete, asymmetrical patterns with dull colors. The implications of this research create a new awareness of how we can positively impact the earth and our personal health.

Examining cultures as diverse as long-house dwellers in North Borneo, African farmers, Welsh housewives, and postindustrial American workers, this volume dramatically redefines the anthropological study of menstrual customs. It challenges the widespread image of a universal "menstrual taboo" as well as the common assumption of universal female subordination which underlies it. Contributing important new material and perspectives to our understanding of comparative gender politics and symbolism, it is of particular importance to those interested in anthropology, women's studies, religion, and comparative health systems.

The history of men's needlework has long been considered a taboo subject. This is the first book ever published to document and critically interrogate a range of needlework made by men. It reveals that since medieval times men have threaded their own needles, stitched and knitted, woven lace, handmade clothes, as well as other kinds of textiles, and generally delighted in the pleasures and possibilities offered by all sorts of needlework. Only since the dawn of the modern age, in the eighteenth and the nineteenth centuries, did needlework become closely aligned with new ideologies of the feminine. Since then men's needlework has been read not just as feminising but as queer.In this groundbreaking study Joseph McBrinn argues that needlework by male artists as well as anonymous tailors, sailors, soldiers, convalescents, paupers, prisoners, hobbyists and a multitude of other men and boys deserves to be looked at again. Drawing on a wealth of examples of men's needlework, as well as visual representations of the male needleworker, in museum collections, from artist's papers and archives, in forgotten magazines and specialist publications, popular novels and children's literature, and even in the history of photography, film and television, he surveys and analyses many of the instances in which "needlemen" have contested, resisted and subverted the constrictive ideals of modern masculinity.This audacious, original, carefully researched and often amusing study, demonstrates the significance of needlework by men in understanding their feelings, agency, identity and history.

Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements. The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.